Thanksgiving

Proportion

Shadow Photo

Sports Photography

One Shot

Journal Notes p.114-119

Shooting a Formal Portrait:

-Place subject 10-20 feet in front of Background

-Place a light 45 degrees to the right of the subject

-Hold a reflector about 3-4 feet from subject

-Set the camera 6-10 feet away from subject

Camera Settings:

-Wide Open Aperture

-50mm f1.8, f2.0, f2.8

-Shutter must be faster than 1/60 of a second

Lighting:

for indoor, use a single light source, at a 45 degree angle from subject

-For outdoor don't use direct sunlight, hold a reflector to the sunlight

Candid:

_use at least 1/250 shutter Speed

-Capture different moods

-Take more pictures

5 Random Photos

Journal Notes 114-119

Shooting a Formal Portrait:

-Place subject 10-20 feet in front of Background

-Place a light 45 degrees to the right of the subject

-Hold a reflector about 3-4 feet from subject

-Set the camera 6-10 feet away from subject

Camera Settings:

-Wide Open Aperture

-50mm f1.8, f2.0, f2.8

-Shutter must be faster than 1/60 of a second

Lighting:

for indoor, use a single light source, at a 45 degree angle from subject

-For outdoor don't use direct sunlight, hold a reflector to the sunlight

Candid:

_use at least 1/250 shutter Speed

-Capture different moods

-Take more pictures

Photo Essay - Haight / Ashbury

This a photo of the popular "Wasteland" Clothing store.

I liked how the cross walked, almost led right into the doors.

I saw this van, and unquestionably had to take a picture of it.

I think it pretty much sums up the Haight, especially right

in from of the Ameoba Music Store.

This Wall, just makes, me think of these people with

a very long story.

I'm not really sure what to think of this, but i think thats

what the artist was going for.

The Boom Box is what especially attracted me to this picture.

And its almost as if the blue and yellow lines are sound waves

coming out of it.

haha.

I've always thought that it looks like your leading into the desert,

when you walk out side of this store.

The artist that drew this gave great emotion and detail.

And i alsoliked how you can still the street lights on top of the

mural,showing hoiw its just on the side of the street, not on

a canvas, or in somegallerey.

Career Photography Notes-- Photo Journalism

-Be concious of Ethical Standard in the region that you are in
-Get as close to the subject as possible, yet don't be intrusive
-There are dgerees in Photojournalism, but often times degreese in Clutre is more important
-A Photojournalist needs to vreate a solid portfolio from each event, and captions are very useful, as they giove more informantion about the subject.
-Getting an internship with a solid portfolio, letters, resume, ect ... Are very useful in getting hired
-Being a photojournalist won't get your rich, but you can make a good wage, and get to travel the world, and experince more than most anyone else in the world does.

Carrear Photographer, Bob Martin

Photographer. He has photographed essentially every sports event conceivable, including every single one of the last 10 olympics. His photos have been see by MIllion through magazines like LIFE, news-week, Sports Illustrated, The New York Times, and the Sunday Times. bob has won over 53 National and International Prestigous awards, including 23 in 2005 alone. Here are a few examples of his work:

Serra Day 2

Serra Day 1

Photojournalism

David Seyemour taken in France in 1937.

This Photo was Taken By Wayne Miller on the Southside of Chicago in 1947

Taken By Christensen Anderson InAfghanistan in 2004.

Taken By Brunbo Barbey On Fishermans Village in Senegal

Taken By Hirijo Kubuto in North Korea in 1982 for Kim II Sung's Birthday

Line Shape Form

This Was the Rear Trunk lid of an Aston Martin
V8 Vantage, that was Wrapped in Dry Carbon Fiber.
















This Was on the Trunk of a BMW e36 M3, It really
Stood out to me because of the red heart in a field
of black and White.

Although, you might not realize it at first, this picture is

actually of a Door panel to a BMW M3, taken in broad

daylight. Its imperfect lines, and the fact that what

it actually is to the uninfored eye is what attracts me to

this photo.

This was originally just a White Lexus IS 350. but

a sharpie artist used it as a canvas to write on,

and it was then clear coated over. I like this photo

alot because you can see how naturally the artist

flowed around the taillight and license plate.

Elements and Principles